In the context of Khayal Vocal Music Sur/Swar (notes and their accuracy) and Laya (meter/tempo) are the two foundational pillars of any form of music across the world. While one may believe in laying greater importance to intonations and their accuracy, it is the meter that determines the relation between two successive Swars. In Indian […]
I thank Anupama Rao for her inputs and Chandra Pai and Baithak team for their invitation to write this piece. Becoming a Singer Pandit Mallikarjun Mansur (henceforth, Mansur) was born on December 31, 1910. He was the third of the eight children of Bhimarayappa Gowda and Neelamma, who lived in the village Mansur in Dharwad […]
In these difficult times art and music is helping many of us to stay calm and sane. In a world where we enjoy music so much why is paying artists so difficult?
From materials to making and tuning of the instrument here is an article with complete information about the Tanpura.
The purposes may be diverse but one cannot forget that house concerts/chamber concerts are a wonderful opportunity. Opportunity for whom and of what kind? Here are some guidelines to ensure that we all are making the best use of the opportunity available.
We have had the fortune of attending many house concerts and have also hosted many. As an organiser we have also curated house concerts. My observations may sound funny or too harsh but be assured that I am writing about what I have witnessed without deviation of any kind. Well planned everything else than music: […]
Of the many benefits of attending a chamber concert I am listing a few here which I find to be most important.
The show must go on! Despite a heavy down pour that disrupted the power supply at the Babu Jagjeevan Ram School in Yerawada, Baithak Foundation carried on, undeterred, to present yet another successful concert at the school. This concert was held on 22nd June 2018 as part of Baithak @ Classes initiative. It was exciting to see […]