Keyur Kurulkar presents some interesting versions of Vande Mataram, the same emotion as interpreted by several musicians.
You can find the complete lyrics of Vande Mataram along with the translation here.
She sings Vande Mataram with an interesting flavour in Mishra Khambawati.
The famed actor-singer of yester years finds his expression of Vande Mataram in Vrindavani Sarang. Another interesting thing to notice is his choice of verses for the 78 rpm record.
One of the earliest structured versions of song. He was probably the first one to sing it in front of a wide audience during the Indian National Congress’s 1896 session.
Master Krishnarao Phulambrikar:
He was a staunch activist in the effort to make Vande Mataram the National Anthem, for this he composed a tune based on Mishra Jhinjhoti, which could be sung in a wide range of tempos and was suited for solo and group performances as well as Marching Bands (as against the some of the earlier tunes of Vande Mataram, which were still sung as an extempore expression by many). Here is a slow paced version sung by master Krishnarao himself.
A fast paced version of Master Krishnarao’s tune by his disciple Ram Marathe (who often concluded his concerts with this version of Sampoorna Vande Mataram).
Veena tai sings a modified version of Vishnu Digambar Paluskar’s tune (which he presented at almost every INC session since 1915 until his demise). It is interesting to note that Veena Tai presented this as a part of her concert at Darbar Festival in London.
M S Subbulakshmi and Dilip Kumar Roy:
Published in a 78 rpm record in 1947, this version has a very lively vibe!
The maestro was invited to present Vande Mataram in the parliament hall on 15th August 1997 to mark the 50th anniversary of India’s Independence. He presents the well-known version in Raag Des set to Addha Teental. This recording is from a month after that when he sang the same in London in September 1997.
Staying true his Guru Vishnu Digambar Paluskar, Omkarnath sings this as an extempore presentation without a rhythmic meter. This specific recording is from 15th August 1947 the moment of India’s Independence, at the stroke of Midnight, when Omkarnathji was invited to New Delhi to present Vande Mataram at the Parliament hall. He insisted that he would only do so if he was allowed to present the complete song.
Keyur Kurulkar started his initial musical lessons under the guidance of Smt. Ranjana Bhide and Shri. Chandrakant Naik.
Further, he studied from Pt. Vijay Koparkar and was also fortunate to have taleem from Late Pt. Sharad Sathe.
Currently, Keyur is being mentored by Shri. Mukul Kulkarni and Shri. Vishal Moghe.
Keyur has also completed BE Mechanical Engineering with distinction.
Keyur has many accolades to his name. Some of these include, C.C.R.T scholorship given for young artist by govt. of India, ‘SwaraRatna Narha Buwa Patankar Puraskar’ from Pune
Marathi Granthalay and ‘Swaroday Puraskar’ by the D.V. Paluskar Trust.
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Would you like to share your favourite renditions of Vande Mataram? We would be happy to extend the list with your recommendations.